Michael Speaks to Ebony Magazine
May 1992 (Africa)
Ebony/Jet: Do you have any special feeling about this return to the
con-tinent of Africa?
Michael Jackson: For me, it's like the "dawn of civilization." It's
the first place where society existed. It's seen a lot of love. I guess
there's that connection because it is the root of all rhythm. Everything. It's
home.
Ebony/Jet:: You visited Africa in 1974. Can you compare and contrast
the two visits?
Michael Jackson: I'm more aware of things this time: the people and
how they live and their government. But for me, I'm more aware of the rhythms
and the music and the people. That's what I'm really noticing more than any
thing. The rhythms are incredible. You can tell especially the way the
children move. Even the little babies, when they hear the drums, they start to
move. The rhythm, the way it affects their soul and they start to move. The
same thing that Blacks have in America. . .
Ebony/Jet:: How does it feel to be a real king?
Michael Jackson: I never try to think hard about it because I don't
want it to go to my head. But, it's a great honor....
Ebony/Jet:: Speaking of music and rhythm, how did you put together
the gospel songs on your last album?
Michael Jackson: I wrote "Will You Be There?" at my house, "Never
Land" in California.... I didn't think about it hard. That's why it's hard to
take credit for the songs that I write, because I just always feel that it's
done from above. I feel fortunate for being that instrument through which
music flows. I'm just the source through which it comes. I can't take credit
for it because it's God's work. He's just using me as the messenger....
Ebony/Jet: What was the concept for the Dangerous album?
Michael Jackson: I wanted to do an album that was like Tchaikovsky's
Nutcracker Suite. So that in a thousand years from now, people would still be
listening to it. Something that would live forever. I would like to see
children and teenagers and parents and all races all over the world, hundreds
and hundreds of years from now, still pulling out songs from that album and
dissecting it. I want it to live.
Ebony/Jet:: I notice on this trip that you made a special effort to
visit children.
Michael Jackson: I love children, as you can see. And babies.
Ebony/Jet:: And animals.
Michael Jackson: Well, there's a certain sense that animals and
children have that gives me a certain creative juice, a certain force that
later on in adulthood is kind of lost because of the conditioning that happens
in the world. A great poet said once. "When I see children, I see that God has
not yet given up on man." An Indian poet from India said that, and his name is
Tagore. The innocence of children represents to me the source of infinite
creativity. That is the potential of every human being. But by the time you
are an adult, you're conditioned; you're so conditioned by the things about
youand it goes. Love. Children are loving, they don't gossip, they don't
complain, they're just open-hearted. They're ready for you. They don't judge.
They don't see things by way of color. They're very child-like. That's the
problem with adults they lose that child-like quality. And that's the level of
inspiration that's so needed and is so important for creating and writing
songs and for a sculptor, a poet or a novelist. It's that same kind of
innocence, that same level of consciousness, that you create from. And kids
have it. I feel it right away from animals and children and nature. Of course.
And when I'm on stage. I can't perform if I don't have that kind of ping pony
with the crowd. You know the kind of cause and effect action, reaction.
Because I play off of them. They're really feeding me and I'm just acting from
their energy.
Ebony/Jet:: Where is all this heading?
Michael Jackson: I really believe that God chooses people to do
certain things, the way Michelangelo or Leonardo da Vinci or Mozart or
Muhammad Ali or Martin Luther King is chosen. And that is their mission to do
that thing. And I think that I haven't scratched the surface yet of what my
real purpose is for being here. I'm committed to my art. I believe that all
art has as its ultimate goal the union between the material and the spiritual,
the human and the divine. And I believe that that is the very reason for the
exis-tence of art and what I do. And I feel fortunate in being that instrument
through which music flows....
Deep inside I feel that this world we live in is really a big, huge,
monumental symphonic orchestra. I believe that in its primordial form all of
creation is sound and that it's not just random sound, that it's music. You've
heard the expression, mu-sic of the spheres? Well, that's a very literal
phrase. In the Gospels, we read, "And the Lord God made man from the dust of
the earth and breathed into his nostrils the breath of life and man be-came a
living soul." That breath of life to me is the music of life and it permeates
every fiber of creation.
In one of the pieces of the Dangerous album, I say: "Life songs of ages,
throbbing in my blood, have danced the rhythm of the tide and flood." This is
a very literal statement, because the same new miracle intervals and
biological rhythms that sound out the architecture of my DNA also governs the
movement of the stars. The same music governs the rhythm of the seasons, the
pulse of our heartbeats, the migration of birds, the ebb and flow of ocean
tides, the cycles of growth, evolution and dissolution. It's music, it's
rhythm. And my goal in life is to give to the world what I was lucky to
receive: the ecstasy of divine union through my music and my dance. It's like,
my purpose, it's what I'm here for.
Ebony/Jet:: What about politics?
Michael Jackson: I never get into politics. But I think music
soothes the savage beast. If you put cells under a microscope and you put
music on, you'll see them move and start to dance. It affects the soul.... I
hear music in everything. [Pauses] You know, that's the most I've said in
eight years You know I don't give interviews. That because I know you, and I
trust you. You're the only person I trust to give interviews to.
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